Format a Title Page

Format a Title Page

While your logline and first 10 pages both play a major role in whether your screenplay will catch the attention of a reader, nothing makes a better first impression than a properly-formatted title page.

"You never get a second chance to make a great first impression."

Not sure how to make the perfect title page first impression? Fear not! You’ve come to the right place. We’ll walk you through all the elements you should and should not include on your title page.

Just like the rest of your screenplay, ALL of the text on your title page should be formatted in Courier, 12-point font. Margins should be set at:

• Left Margin: 1.5”
• Right Margin: 1.0”
• Top and Bottom Margins: 1.0”

Front and Center:

1.    First thing’s first, the TITLE of your screenplay!

1.    The title should be written in ALL capital letters.

1.    This can also be bold or underlined, but no matter what, it must ALWAYS be capitalized.

2.    The title should be centered horizontally on the page.

3.    The title should start about 1/4 to 1/3 down the page (approximately 20-22 line spaces below the 1” top margin).

2.    Next up, the BY-LINE.

1.    The by-line should fall about 2 line spaces down from your title line.

2.    The by-line can read something like: “by” or “written by.”

3.    Last, but certainly not least for this section: AUTHOR’S NAME(S). Give yourself (and your team) the much-deserved credit for completing the screenplay here.

1.    If the screenplay was created by you, and you alone, just include your name.

2.    If the screenplay was created as a collaborative effort by 2+ screenwriters, separate writer names with an ampersand (&).

3.    If the screenplay was worked on independently by 2+ screenwriters, separate names
with the word “and.”

4.    When applicable, you can also include ADDITIONAL CREDITS beneath the Author’s Name(s). This would include story and adaptation credits.

1.    The additional credits should fall somewhere around 4 line spaces down from Author’s Name.

2.    The additional credits can read something like: “story by” or “based on the novel by”

3.    Include the original source’s author name 2 line spaces below.

Bottom Right Corner:

1.    In the bottom right corner of your title page, include your (or if applicable, your agent’s) CONTACT INFORMATION. Be sure to include your name (or your agent’s name) and email address. It is optional to also include your mailing address and phone number, but not required.

2.    This section of your title page should be single-spaced. Continue to use Courier, 12-point font.

A basic title page may look something like this example given in the Screenwriter's Bible, a textbook by David Trottier (below right). 

Okay, now that we’ve covered what NEEDS to be included, let’s talk a bit about what we should not include.

What NOT to Include?

• Copyright notice
• Your WGA registration number
• Dates of drafts
• Draft/Revision numbers
• Creativity (Sorry folks, let’s save the creativity for the story. It’s best to stick to the formatting guidelines.)

Now that you’ve got the tools, let’s get to it!

Cheers to screenwriting!

The Elements of a Screenplay

Clicking on an item in this list will put a demonstration of how that element is properly used in a screenplay at the top line of your screen; clicking on that element will give you a definition in the bottom window.

• Act Numbers
• Action
• Action, Breaking Up
• Agent Information
• Beat
• Binding
• Byline
• Character Attributes
• Character Name
• Character Names-- Capitalization
• Character Descriptions
• Close On
• Continued (or CONT'D)
• Cut To:
• Date (on cover of script)
• Dialogue
• Dialogue, Uncompleted or Interrupted
• Ending on a Visual
• Establishing Shot
• EXT (for Exterior)
• Extension
• Fade In
• Fade Out
• Feature
• INT (for Interior)
• Intercut
• Interrupted Dialogue
• Length, of Screenplay (pages)
• Length, of Pages (lines)
• Lines Per Page
• Noises
• Numbering, Act
• Numbering, Page
• Numbering, Scene
• Page Length
• Paper
• Parenthetical
• Playability
• POV
• Reveal
• Scene Heading
• Sound Effects
• Surprise
• Time of Day
• Transitions
• White Space

Margins

Stage direction and shot headings (also known as slug lines) have a margin of 1.7" of the left and 1.1" on the right. TWO BLANK LINES PRECEDE EACH SHOT HEADING.

Dialog has a left margin of 2.7" and a right margin of 2.4".

Character names over dialog (speaker) have a left margin of 4.1".

Parenthetical direction within dialog has a left margin of 3.4" and a right margin of 3.1".

Scenes transitions such as CUT TO: and FADE OUT. have a left margin of 6.0".

Scene/shot numbers: When a script is numbered in preproduction, the left number is placed 1.0" from the left edge of the page and the right scene number is placed 7.4" from the left edge of the page.

Top page margin is .5" (or three single lines) before the page number. A single blank line separates the page number from the body of the script, which begins with either a CONTINUED: or a new shot heading/slug line.

Bottom page margin is at least .5" (or three single lines) following the (CONTINUED) or the end of a scene.

Total page length is a maximum of 60 lines, including page number and CONTINUEDs (but not including the 3 line margins at the top and bottom of the page).

Paper size is 8.5" wide by 11" long.

Font

Use 12-point Courier (not Courier New) or Prestige Pica. These are fixed-pitch fonts that yield ten (10) characters per horizontal inch and six (6) lines per vertical inch.

Use of "CONTINUED"

When a shot or scene continues from one page to the next, (CONTINUED) must be added at the bottom of the page where the break occurs, preceded by a single blank line. CONTINUED: is then added at the top of the next page, followed by a single blank line.

Breaking stage direction

When stage direction (also known as action) is broken at the bottom of a page, break it only at the end of a complete sentence. CONTINUEDs must be added as explained above.

Breaking dialog

When a character's speech is broken at the bottom of a page, break it only at the end of a complete sentence. Add (MORE) 4.1" from the left page edge at the bottom of the page where the break occurs, directly beneath the dialog (in other words, no blank line separates the (MORE) from the dialog) On the following page put (CONT'D) after the character name and on the same line as the name.

Also, when breaking speeches, do not place parenthetical character direction before the (MORE). Place the parenthetical direction with the remainder of the speech on the next page.

For Example:

                        SKYLAR

           See, it's my life story.

                        (MORE)

        

                                              (CONTINUED)

        

-------------------------page break--------------------------

        

                                                 Page 23.

CONTINUED:

        

                        SKYLAR (CONT'D)

                 (parenthetical goes here)

           Five more minutes and I would have got

           to hear your best pick-up line.

        

                        WILL

           The caramel thing is my pick-up line.

End Example (from Good Will Hunting)

Formatting parenthetical character direction

"Parenthetical character direction" is specific business relating only to the speaking character. Parenthetical character direction is placed in parens, on a separate line from dialogue.

If the direction goes more than four lines, place it at the left margin as regular direction, using a colon (:) to indicate it goes with the character's next speech.

Incorrect

                        BOBBY

                 (balancing on one foot

                  as he aims his dart,

                  sips a beer, and eats

                  a handful of peanuts)

           I guess I need a bulls-eye.

Correct

As he balances on on one foot aims his dart, sips a beer, and

eats a handful of peanuts:

        

                        BOBBY

           I guess I need a bulls-eye.

If CAMERA MOVEMENTS or SOUNDS (which should be capped) appear in parenthetical character direction, they should be "pulled out" and treated as regular direction:

Incorrect

                        BOBBY

                 (as the PHONE RINGS)

           Dammit!  I told her not to call me!

Correct

As the PHONE RINGS:

        

                        BOBBY

           Dammit!  I told her not to call me!

Do not put another character's direction in the speaking character's dialogue. It MUST go at the left margin.

Incorrect

                        GIRL

           You are such an idiot.

                 (Bobby flips her off)

           Oh, that's mature.

Correct

                        GIRL

           You are such an idiot.

        

Bobby flips her off.

        

                        GIRL

           Oh, that's mature.

Formatting dialogue

Words are never broken by a hyphen at the end of a line of dialogue unless it's a naturally hyphenated word, such as twenty-three, point-blank, etc.

Formatting shot headings

All shot headings are placed on a line by themselves with two blank lines above and one blank line below. This includes any so-called "hidden" shots which may be imbedded in descriptive passages.

An example of a hidden shot follows:

Incorrect

INT. GOOBER'S SPORTS BAR - NIGHT

        

Cigarette smoke fills the room.  From Bobby's POV, we see

JULIA enter the bar.  Bobby pretends to stab himself with one

of his darts.

Correct

INT. GOOBER'S SPORTS BAR - NIGHT

        

Cigarette smoke fills the room.

        

        

BOBBY'S POV

        

JULIA enters the bar.

        

        

BACK TO SCENE

        

Bobby pretends to stab himself with one of his darts.

Additional examples of "hidden" shots include insert shots, close shots, wide shots, and any other specific shot called for within direction. All of these must be pulled out onto a line of their own.

A shot heading can never stand alone at the bottom of a page without at least one complete sentence of direction of dialogue -- unless there is no direction or dialogue to go with it, such as an INSERT SHOT or an ESTABLISHING SHOT.

Scene transitions

Scene transitions such as CUT TO: and DISSOLVE TO: are entirely optional, but when used should be preceded by one blank line and followed by two blank lines. When breaking pages, the scene transition must remain with the shot just completed. In other words, it is never permissible to start a new page with a CUT TO: or a DISSOLVE TO:. It must be placed at the bottom of the previous page.

Other Notes (by Dana)

The first time a character is introduced in the stage direction of a script, his/her/its name should be written in all caps. If the name is mentioned again, it may appear as normal.

Character names over dialog are always in all CAPS.

Capitalize major sound effects.

Try to avoid using the word "camera." Use "we" instead. (Instead of "The camera follows..." use "We follow...")

For example, if the following is the opening scene of a movie:

INT. GOOBER'S SPORTS BAR - NIGHT

        

The place is a mess, having suffered the insanity of a Friday

night.  Cigarette smoke floats in the air.

         

        

INSERT: THE DART BOARD

        

As a dart SMASHES into the board.

        

        

BACK TO SCENE

        

BOBBY plays darts in a dark corner of the bar.  Even in his

drunken state, he's not too bad.  Bobby's darts still fall

into the board.

        

                        BOBBY

           Damn!  I'm good!

        

The phone RINGS.

        

We follow Bobby over to a phone sitting on the bar.