Prewrite-A New Script Outline
Prewrite-A New Script Outline
I
recently had the opportunity to test drive a new outlining tool for
screenwriters called Prewrite. Spoiler alert: it’s pretty great.
(Full
disclosure: I am not being paid for this review and I don’t get any sort of
kickbacks if you sign up. I was, however, given a free lifetime membership in
exchange for checking Prewrite out, providing feedback on the features, and
giving my unbiased review.)
Going
into this review, I was skeptical. I’ve written more than a dozen feature
screenplays at this point, and I’ve got my own way of doing things. Once I’m
ready to start planning out a story, I begin with a free-writing doc where I
just let every idea that comes to me spill onto the page. Then I start making
choices and refining until I have a five- to seven-page beat sheet. I copy and
paste my beats right into my writing program and then, as I write each scene, I
delete the beats. That way my screenplay is at least five pages long before
I’ve written a single scene, which feels nice, and I always know what’s next,
because the outline is right there in my script.
So
when I opened up Prewrite, I didn’t like the idea that this program was going
to force me into it’s way of outlining. But that’s not what it did. Instead, it
turned out that Prewrite worked very well with my style of outlining, allowing
me to work the way I like while offering additional tools to supplement my
outlining and organization process.
The Avengers is one of the sample outlines
available to view in Prewrite’s library.
How
Prewrite Works
The
first thing Prewrite asks you to do when starting an outline is create a new
Story. The only thing you have to choose
at the start is your title. Beyond that, you can input your story’s logline,
genre, and themes. You can also select a picture to serve as the main image of
your story – your poster of sorts – and you don’t have to select something from
your computer (but you can if you want to). Prewrite is connected to a free
photo website called Unsplash, so you can do a search directly in Prewrite for
an appropriate photo and make that your featured image. Easy peasy.
Next
you can start adding characters. Again, the only thing you have to choose is a
character name, but you can also add their gender and age, you can pick an
archetype for that character, and you can search a database of actor photos
powered by The Movie Database – again, directly in Prewrite – to give your
character a clear look and voice (or upload your own photos). You can also
include details about what your character wants and what they need – all very
helpful things to figure out during the outlining phase.
A sample character I made.
Once
you’ve got your characters set – a step you can skip, if you choose – you can
start outlining. To do that, you simply click on the Timeline button and start
creating scene cards. Again, all you need to input
is the most basic of basics – the slugline. But you can also include what
happens in the scene, your notes on the scene, which characters are in it, any
plot threads that come up in the scene, and the emotional value of the scene.
I
particularly enjoyed that last feature and used it to track how my main
character was feeling at the end of each scene. By the end, I had a clear chart
of when he was up and when he was down and could better visualize his internal
journey.
When
adding plot details, you even have the option to change the formatting from
“action” to “character” or “dialogue,” among other options. This means that if
you have a bit of dialogue you know you want in there, you can add it to your
outline and it will show up appropriately formatted when you export to Final
Draft. In theory, you could write your whole script in Prewrite, but that’s
definitely not recommended, as it would be a cumbersome process.
This is only a partial impression of the Timeline
view — there are more features I couldn’t fit in a screenshot.
You
can also add an image from Unsplash for each scene, giving you a sort of linear
mood board of your entire script, if you’d like.
And if
there are any features you don’t want to
use when creating scenes, you can hide them, giving yourself only the information
you find helpful. This feature is key, because if you input all the information
that you can possibly input in Prewrite, you’re almost certainly going to end
up putting off actually writing your script longer than you need to. So the
flexibility to only use the features you find truly useful is excellent.
Once I
created a new scene card for each of my beats, I could look at my story in the
horizontal timeline mode or see it as index cards or in a vertical page view.
You can also head over to your story’s stats page and see which of your
characters gets the most scenes, your character gender breakdown, how many
scenes are in each of your acts, and other useful visualizations.
Some stats from Prewrite’s breakdown of The Social
Network. Your own Story stats look a lot like this.
And
when you’ve got your story all figured out and ready to write, you can export
your outline as a Final Draft file. This is currently the only way to export
Prewrite outlines, but if you don’t use Final Draft, that shouldn’t actually be
a problem, because basically every other screenwriting software allows you to
import Final Draft files. I was able to take my exported Final Draft file from
Prewrite and import it into Fade In. The result was a beat sheet with sluglines
exactly like I normally use. Only now I also had all the extra character
information and images in Prewrite to refer back to, as well.
Not
Just for Outlining
Prewrite
is a new service and still evolving, and new features are showing up all the
time. In fact, they may need to rename the service, because one new feature
makes Prewrite an excellent tool for rewriting, too.
This
new feature lets you upload a Final Draft file or a PDF of an exiting
screenplay and parse it into outline form. When you upload the script, Prewrite
will break it down and go through it with you, scene by scene, asking the same
story questions that it does when you’re making your scene cards – what story
beats does this scene cover? what characters are in this scene? what is the
emotional value of the scene?
You
end up with a breakdown of your script that makes it much easier to spot where
a plot thread disappears, when the pacing is off, when a character goes
unchallenged for too long, et cetera, et cetera.
Definitely
Worth a Try
All in
all, I’m a big fan of Prewrite and will continue to use it as I plot out new
ideas and as I rewrite existing scripts.
The
one thing I don’t love about it is the
pricing model. I wish it was available for a flat fee instead of a monthly or
annual payment. But the good thing is that you can create your first outline
(with limited features) with a free account. Prewrite also offers a 15-day no
questions asked money back guarantee.
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