Film Studies 101: The 30 Camera Shots Every Film Fan Needs To Know
Film Studies 101: The 30 Camera Shots Every Film Fan Needs To Know
From whip
pans to crash zooms and everything in between
The cinematographer's art often seems as much black magic as
technique, taking a few actors milling around a set and turning it into
something cinematic, evocative and occasionally iconic. Amidst all the voodoo
and mystery, however, there is concrete science behind those money shots so
we've identified thirty of the most important camera shots to help you
distinguish your dolly zooms from your Dutch tilts.
Aerial Shot
An exterior shot filmed from — hey! — the air. Often used to
establish a (usually exotic) location. All films in the '70s open with one —
FACT.
Arc Shot
A shot in which the subject is circled by the camera. Beloved by
Brian De Palma, Michael Bay.
Bridging Shot
A shot that denotes a shift in time or place, like a line moving
across an animated map. That line has more air miles than Richard Branson.
Close Up
A shot that keeps only the face full in the frame. Perhaps the
most important building block in cinematic storytelling.
Medium Shot
The shot that utilises the most common framing in movies, shows
less than a long shot, more than a close-up. Obviously.
Long Shot
A shot that depicts an entire character or object from head to
foot. Not as long as an establishing shot. Aka a wide shot.
Cowboy Shot
A shot framed from mid thigh up, so called because of its
recurrent use in Westerns. When it comes, you know Clint Eastwood is about to
shoot your ass.
Deep Focus
A shot that keeps the foreground, middle ground and background ALL
in sharp focus. Beloved by Orson Welles (and cinematographer Gregg Toland).
Production designers hate them. Means they have to put detail in the whole set.
Dolly Zoom
A shot that sees the camera track forward toward a subject while
simultaneously zooming out creating a woozy, vertiginous effect. Initiated in
Hitchcock's Vertigo (1959), it also appears in such scarefests as Michael
Jackson's Thriller video (1983), Shaun Of The Dead (2004), The Evil Dead (1981)
and The Goofy Movie (1995). It is the cinematic equivalent of the phrase
"Uh-oh".
Dutch Tilt
A shot where the camera is tilted on its side to create a kooky
angle. Often used to suggest disorientation. Beloved by German Expressionism,
Tim Burton, Sam Raimi and the designers of the villains hideouts in '60s TV
Batman.
Establishing Shot
The clue is in the name. A shot, at the head of the scene, that
clearly shows the locale the action is set in. Often comes after the aerial
shot. Beloved by TV directors and thick people.
Handheld Shot
A shot in which the camera operator holds the camera during motion
to create a jerky, immediate feel. Beloved by Steven Soderbergh and Paul
Greengrass. It basically says, "This is real life, baby".
Low Angle Shot
A shot looking up at a character or subject often making them look
bigger in the frame. It can make everyone look heroic and/or dominant. Also
good for making cities look empty.
High Angle Shot
A shot looking down on a character or subject often isolating them
in the frame. Nothing says Billy No Mates like a good old high angle shot.
Locked-Down Shot
A shot where the camera is fixed in one position while the action
continues off-screen. It says life is messy and can not be contained by a
camera. Beloved by Woody Allen and the dolly grips who can take the afternoon
off.
Library Shot
A pre-existing shot of a location — typically a wild animal — that
is pulled from a library. Aka a "stock shot", it says this film is
old. Or cheap.
Matte Shot
A shot that incorporates foreground action with a background,
traditionally painted onto glass, now created in a computer. Think the Raiders
warehouse or the Ewok village or Chris Hewitt's house.
Money Shot
A shot that is expensive to shoot but deemed worth it for its
potential to wow, startle and generate interest. In pornography, it means
something completely different.
Over-The-Shoulder Shot
A shot where the camera is positioned behind one subject's
shoulder, usually during a conversation. It implies a connection between the
speakers as opposed to the single shot that suggests distance.
Pan
A shot where the camera moves continuously right to left or left
to right. An abbreviation of "panning". Turns up a lot in car chases
and on You've Been Framed (worth £250 if they use a clip).
POV shot
A shot that depicts the point of view of a character so that we
see exactly what they see. Often used in Horror cinema to see the world through
a killer's eyes.
The Sequence Shot
A long shot that covers a scene in its entirety in one continuous
sweep without editing.
Steadicam Shot
A shot from a hydraulically balanced camera that allows for a
smooth, fluid movement. Around since the late '70s, invented by Garrett Brown.
Beloved by Stanley Kubrick, Brian De Palma, Martin Scorsese, Alfonso Cuaron. A
lengthy Steadicam shot is the directorial equivalent of "Look ma, no
hands!"
Tilt
A shot where the camera moves continuously Up to Down or Down To
Up. A vertical panning shot. A tilt to the sky is traditionally a last shot in
a movie.
Top Shot
A shot looking directly down on a scene rather than at an angle.
Also known as a Birds-Eye-View shot. Beloved by Busby Berkeley to shoot dance
numbers in patterns resembling snowflakes.
Tracking Shot
A shot that follows a subject be it from behind or alongside or in
front of the subject. Not as clumsy or random as a panning shot, an elegant
shot for a more civilized age. Beloved by Stanley Kubrick, Andrei Tarkovsky,
Terence Davies, Paul Thomas Anderson.
Two-Shot
A medium shot that depicts two people in the frame. Used primarily
when you want to establish links between characters or people who are beside
rather than facing each other.
Whip Pan
A shot that is the same as a pan but is so fast that picture blurs
beyond recognition. Usually accompanied by a whoosh sound. Beloved by Sam Raimi
and Edgar Wright.
Zoom
A shot deploying a lens with a variable focal length that allows
the cinematographer to change the distance between camera and object without
physically moving the camera. Also see Crash Zooms that do the same but only
quicker.
Crane Shot
A shot where the camera is placed on a crane or jib and moved up
or down. Think a vertical tracking shot. Beloved by directors of musicals.
Often used to highlight a character's loneliness or at the end of a movie, the
camera moving away as if saying goodbye.
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